I. Personal Introduction

Hu Wenqian, male, born in July 1984, from Nanjing. He holds a Master’s degree (2009) and a Doctorate (2013) in Literature from Nanjing University. During his doctoral studies, he received funding from the China Scholarship Council to participate in a joint doctoral program at Brown University in the United States. He is currently a professor at the College of Liberal Arts, Nanjing Normal University, primarily engaged in research on modern Chinese cinema and contemporary Chinese drama.
Email: 13655193773@163.com

II. Main Research Achievements

He has published over twenty papers in CSSCI journals and one monograph. His research outcomes have been downloaded thousands of times and cited multiple times, with five papers fully reprinted in the Renmin University of China’s reprint materials “Film Art” and “Stage Art.” Representative achievements are as follows:

(A) Papers

1. “The Influence of Liu Bieqian’s Artistic Spirit on Film Concepts,” Capital Normal University Journal, 2023, Issue 5.
2. “German Films in Early Chinese Film Concepts,” Literary Theory Research, 2023, Issue 2.
3. “Presenting the Existence and Lives of Ordinary People in a Great Era: A Study of Individual Narratives in Contemporary Hong Kong Drama,” Drama Art, 2022, Issue 1.
4. “Research on Hong Kong Drama Creation from 1949 to 1966,” Journal of Anhui Normal University (Humanities and Social Sciences Edition), 2021, Issue 4.
5. “Research on Hong Kong Campus Drama Creation from the Late 1960s to the 1970s,” Jiangsu Social Sciences, 2020, Issue 4.
6. “Chaplin and Early Chinese Film Concepts,” Journal of Southwest University for Nationalities, 2019, Issue 8.
7. “Griffith and Early Chinese Film Concepts,” Jiangsu Social Sciences, 2018, Issue 4.
8. “Early Chinese Costume Films and the Influence of Hollywood,” Capital Normal University Journal, 2018, Issue 4.
9. “Early Chinese Wuxia Films and the Influence of Hollywood,” Journal of Southwest University for Nationalities (Humanities and Social Sciences Edition), 2016, Issue 12.
10. “The Initial Exploration of Chinese Films Tending Towards ‘Modernity’ and Connotation of ‘Literature’: A Discussion on Early Chinese Romance Films and the Influence of Hollywood and Their Historical Value and Significance,” Journal of Anhui University (Philosophy and Social Sciences Edition), 2016, Issue 4.
11. “Early Chinese Ethical Films and the Influence of Hollywood,” Capital Normal University Journal (Social Sciences Edition), 2015, Issue 12.
12. “Early Chinese Social Films and the Influence of Hollywood,” Journal of Southwest University for Nationalities (Humanities and Social Sciences Edition), 2015, Issue 7.
13. “Early Chinese Detective Films and the Influence of Hollywood,” Jiangsu Social Sciences, 2014, Issue 2.

(B) Monograph

1. “Early Chinese Cinema and Foreign Influences,” Jiangsu Phoenix Literature and Art Publishing House, December 2022.

© Research Projects

1. In 2016, he received the Youth Fund Project from the Ministry of Education’s Humanities and Social Sciences program titled “Early Chinese Cinema and Foreign Influences” (completed).
2. In 2020, he obtained a sub-project of the National Social Science Fund’s major project in the arts titled “Research on the Chinese Drama Acting School” (20ZD21), specifically “The Status and Contribution of the Chinese Drama Acting School in the World Theater.”
3. In 2023, he received a general project from the National Social Science Fund titled “Research on the Reception and Influence of Western Cinema in China (1905-1949)” (23BZW141).

III. Awards
As a key participant in the Ministry of Education’s key research base major project “The Comprehensive Anthology of Twentieth Century Chinese Drama Theory,” the research outcomes of this project were awarded the First Prize of the Eighth National Excellent Achievements in Humanities and Social Sciences in Higher Education (2020) and the Second Prize of the Fifteenth Jiangsu Province Philosophy and Social Sciences Excellent Achievement Award (2018).